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1 киносъёмка
1) General subject: camera recording, camerawork, cinematographic recording, filming, shooting, shoot2) Engineering: cine exposure, cine filming, cine photography, cinematographic work, cinematography, film shot, filming process, motion picture photography, motion-picture recording, motion-picture shooting, motion-picture shot, shooting on film3) Telecommunications: film scanning4) Fishery: motion picture filming5) Advertising: motion-picture photography6) Makarov: shot -
2 киносъёмка
cinematography, cine exposure, cine filming, filming, cine photography, motion picture photography, filming process, motion-picture recording, motion-picture shooting, film shot, motion-picture shot, cinematographic work* * *киносъё́мка ж.
filming, shootingпроизводи́ть киносъё́мку — film, take motion picturesвозду́шная киносъё́мка — aerial [air] shootingзаме́дленная киносъё́мка — time-lapse filmingкомбини́рованная киносъё́мка — special effects shotsмультипликацио́нная киносъё́мка — animationнату́рная киносъё́мка — location shootingобра́тная киносъё́мка — backward take, reverse actionпавильо́нная киносъё́мка — stage shootingподво́дная киносъё́мка — underwater shootingрегистрацио́нная киносъё́мка — instrumentation filmingкиносъё́мка с рирпрое́кцией — process [background projection] photography, process shotsкиносъё́мка с рук — hand-held filmingкиносъё́мка с экра́на кинеско́па — kinescope recordingуско́ренная киносъё́мка — rapid filmingцейтра́ферная киносъё́мка — time-lapse filming -
3 кинофотосъёмка
1) General subject: filming and photography2) Astronautics: documentary motion picture photography3) Makarov: movie and still photography -
4 скоростная фотозапись
Универсальный русско-английский словарь > скоростная фотозапись
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5 скоростная киносъёмка
1) Astronautics: high-speed filming, high-speed photography, very-high-speed motion-picture photography2) Advertising: high-speed shootingУниверсальный русско-английский словарь > скоростная киносъёмка
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6 ультраскоростная киносъёмка
Astronautics: ultrahigh-speed motion-picture photographyУниверсальный русско-английский словарь > ультраскоростная киносъёмка
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7 фотозапись
photorecording, photographic registration* * *фотоза́пись ж.
photographic recording, photorecordingскоростна́я фотоза́пись — moving-image camera [high-speed (motion-picture)] photography, streak camera photorecording -
8 Dickson, William Kennedy Laurie
SUBJECT AREA: Photography, film and optics[br]b. August 1860 Brittany, Franced. 28 September 1935 Twickenham, England[br]Scottish inventor and photographer.[br]Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge's sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman's introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison's employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria's Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the "what the butler saw" machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson's contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.[br]Further ReadingGordon Hendricks, 1961, The Edison Motion Picture Myth.—1966, The Kinetoscope.—1964, The Beginnings of the Biograph.BCBiographical history of technology > Dickson, William Kennedy Laurie
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9 Jenkins, Charles Francis
[br]b. 1867 USAd. 1934 USA[br]American pioneer of motion pictures and television.[br]During the early years of the motion picture industry, Jenkins made many innovations, including the development in 1894 of his own projector, the "Phantoscope", which was widely used for a number of years. In the same year he also suggested the possibility of electrically transmitting pictures over a distance, an interest that led to a lifetime of experimentation. As a result of his engineering contributions to the practical realization of moving pictures, in 1915 the National Motion Picture Board of Trade asked him to chair a committee charged with establishing technical standards for the industry. This in turn led to his proposing the creation of a professional society for those engineers in the industry, and the following year the Society of Motion Picture Engineers (later to become the Society of Motion Picture and Television Engineers) was formed, with Jenkins as its first President. Soon after this he began experiments with mechanical television, using both the Nipkow hole-spiral disc and a low-definition system of his own, based on rotating bevelled glass discs (his so-called "prismatic rings") and alkali-metal photocells. In the 1920s he gave many demonstrations of mechanical television, including a cable transmission of a crude silhouette of President Harding from Washington, DC, to Philadelphia in 1923 and a radio broadcast from Washington in 1928. The following year he formed the Jenkins Television Company to make television transmitters and receivers, but it soon went into debt and was acquired by the de Forest Company, from whom RCA later purchased the patents.[br]Principal Honours and DistinctionsFirst President, Society of Motion Picture Engineers 1916.Bibliography1923, "Radio photographs, radio movies and radio vision", Transactions of the Society of Motion Picture Engineers 16:78.1923, "Recent progress in the transmission of motion pictures by radio", Transactions ofthe Society of Motion Picture Engineers 17:81.1925, "Radio movies", Transactions of the Society of Motion Picture Engineers 21:7. 1930, "Television systems", Journal of the Society of Motion Picture Engineers 15:445. 1925. Vision by Radio.Further ReadingJ.H.Udelson, 1982, The Great Television Race: A History of the American Television Industry, 1925–41: University of Alabama Press.R.W.Hubbell, 1946, 4,000 Years of Television, London: G.Harrap \& Sons.1926. "The Jenkins system", Wireless World 18: 642 (contains a specific account of Jenkins's work).KFBiographical history of technology > Jenkins, Charles Francis
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10 cine
m.1 cinema (art).cine de verano open-air cinemacine fórum film with discussion groupcine sonoro talking pictures, talkies2 movie theater, picture theater, cinema, motion picture theater.3 movie making, movies, cinema, art of movie making.* * *1 (local) cinema, US movie theater■ ir al cine to go to the cinema, US go to the movies2 (arte) cinema\hacer cine to make films, US make moviesser de cine familiar to be fabulouscine negro film noir* * *noun m.1) cinema* * *SM1) (=arte) cinemahacer cine — to make films o movies ( esp EEUU)
de cine: actor de cine — film actor, movie actor (EEUU)
era una casa de cine — * it was a fairytale house, the house was like something out of a film
me lo pasé de cine — * I had a fantastic o brilliant time, I had a whale of a time *
cine de acción — action films pl, action movies pl ( esp EEUU)
cine de aventuras — adventure films pl, adventure movies pl ( esp EEUU)
cine de terror — horror films pl, horror movies pl ( esp EEUU)
cine mudo — silent films pl, silent movies pl ( esp EEUU)
cine sonoro — talking films pl, talkies * pl
2) (=local) cinema, movie theater (EEUU)¿quieres ir al cine? — do you want to go to the cinema o ( esp EEUU) the movies?
cine de barrio — local cinema, local (movie) theater (EEUU)
cine de verano — open-air cinema, open-air movie theater (EEUU)
* * *a) (arte, actividad) cinemael mundo del cine — the movie o film world
hacer cine — to make movies o films
actor de cine — movie o film actor
b) ( local) movie house o theater (AmE), cinema (BrE)¿vamos al or (Col) a cine? — shall we go to the movies (AmE) o (BrE) cinema?
* * *= cinema, movie palace.Ex. Sources from which the designer can draw inspiration include paintings and visual imagery from the theatre, cinema, and popular culture.Ex. This is a collection of more than 250 pen drawings of theater facades from the time when vaudeville was yielding to the movie palaces of the 1920's and '30's.----* adaptación al cine = film adaptation.* adaptar al cine = adapt to + the screen.* amante del cine = cinema buff, film buff, movie buff.* cine, el = movies, the.* cine en casa = home theatre, home cinema.* cine mudo = silent cinema.* cine negro = film noir.* crítica de cine = film review.* crítico de cine = film critic.* del cine = cinematic.* director de cine = film director.* en el cine = at the movies.* estrella de cine = movie star, film-star.* estudio de cine = film location, film studio.* festival de cine corto = short film festival.* fotografía de cine = cinematic photography.* industria del cine, la = film making industry, the, film industry, the, movie industry, the.* ir al cine = go to + the cinema, movie-going.* obra de teatro adaptada al cine = theatrical motion picture.* operador de cine = projectionist.* palacio del cine = movie palace.* película de cine = moving picture.* persona que va al cine = moviegoer [movie-goer].* productor de cine = film maker [filmmaker/film-maker], moviemaker [movie maker].* proyector de cine = film projector.* sala de cine = movie theatre.* * *a) (arte, actividad) cinemael mundo del cine — the movie o film world
hacer cine — to make movies o films
actor de cine — movie o film actor
b) ( local) movie house o theater (AmE), cinema (BrE)¿vamos al or (Col) a cine? — shall we go to the movies (AmE) o (BrE) cinema?
* * *el cine= movies, theEx: The children love puppet shows, the movies, story hours, contests.
= cinema, movie palace.Ex: Sources from which the designer can draw inspiration include paintings and visual imagery from the theatre, cinema, and popular culture.
Ex: This is a collection of more than 250 pen drawings of theater facades from the time when vaudeville was yielding to the movie palaces of the 1920's and '30's.* adaptación al cine = film adaptation.* adaptar al cine = adapt to + the screen.* amante del cine = cinema buff, film buff, movie buff.* cine, el = movies, the.* cine en casa = home theatre, home cinema.* cine mudo = silent cinema.* cine negro = film noir.* crítica de cine = film review.* crítico de cine = film critic.* del cine = cinematic.* director de cine = film director.* en el cine = at the movies.* estrella de cine = movie star, film-star.* estudio de cine = film location, film studio.* festival de cine corto = short film festival.* fotografía de cine = cinematic photography.* industria del cine, la = film making industry, the, film industry, the, movie industry, the.* ir al cine = go to + the cinema, movie-going.* obra de teatro adaptada al cine = theatrical motion picture.* operador de cine = projectionist.* palacio del cine = movie palace.* película de cine = moving picture.* persona que va al cine = moviegoer [movie-goer].* productor de cine = film maker [filmmaker/film-maker], moviemaker [movie maker].* proyector de cine = film projector.* sala de cine = movie theatre.* * *1 (arte, actividad) cinemarespetado por todos en el mundo del cine respected by everyone in the movie o film worldsiempre he querido hacer cine I've always wanted to make movies o filmsactor de cine movie o film actorpantalla de cine movie o ( BrE) cinema screen¿qué ponen or ( AmL) dan en el cine Rex? what's on at the Rex?Compuestos:action cinema, action moviesavant-garde cinema, avant-garde moviesadventure cinema, adventure moviesgenre cinematalkies (pl)silent movies o films (pl)film noirtalkies (pl)cinéma vérité* * *
Del verbo ceñir: ( conjugate ceñir)
ciñe es:
3ª persona singular (él/ella/usted) presente indicativo2ª persona singular (tú) imperativo
Multiple Entries:
ceñir
cine
ceñir ( conjugate ceñir) verbo transitivo:
el vestido le ceñía el talle the dress clung to her waist
ceñirse verbo pronominal cinese a algo ‹ a las reglas› to adhere to o (colloq) stick to sth;
cinese al tema to keep to the subject
cine sustantivo masculino
actor de cine movie o film actor;
hacer cine to make movies o films
◊ ¿vamos al cine? shall we go to the movies (AmE) o (BrE) cinema?;
cine de barrio local movie theater (AmE), local cinema (BrE);
cine de estreno movie theater where new releases are shown
cine sustantivo masculino
1 (local) cinema, US movie theater
2 (arte) cinema: me gusta ir al cine, I like to go to the movies
cine mudo/sonoro, silent/talking films pl
' cine' also found in these entries:
Spanish:
acomodar
- actuar
- adaptar
- ambientar
- ambientación
- anfiteatro
- animación
- antojarse
- auge
- banda
- bien
- borde
- cada
- capacidad
- caracterización
- cartelera
- cinta
- como
- corta
- corto
- descanso
- desenfocar
- desenlace
- dirección
- doblaje
- elipsis
- encontrar
- encuadrar
- encuadre
- escenografía
- espectador
- espectadora
- estelar
- estrella
- estrenar
- estreno
- exterior
- extra
- fanática
- fanático
- fotograma
- fumarse
- función
- gratis
- grúa
- guión
- hacinarse
- hasta
- ilusionar
- incondicional
English:
advance
- afterwards
- allow
- animated cartoon
- attendant
- audience
- B movie
- bristle
- camera
- caption
- cartoon
- casting
- cinema
- cinemagoer
- clapperboard
- co-star
- credit
- crew
- cut
- definition
- dolly
- double
- drive-in
- dub
- edit
- editor
- extra
- fade in
- fade out
- fawn
- feature
- feature film
- festival
- film
- film maker
- film star
- first night
- flashback
- foyer
- fret
- gore
- interlude
- intermission
- interval
- lead
- leading lady
- leading man
- less
- like
- location
* * *♦ nm1. [arte] cinema;cine de autor art cinema;cine comercial commercial cinema;Keaton fue uno de los grandes del cine cómico Keaton was one of the big screen comedy greats;cine fórum film with discussion group;cine de género genre cinema;cine negro film noir;cine sonoro talking pictures, talkies2. [edificio] cinema, US movie theater;cine de arte y ensayo art house (cinema), US art theater;cine de verano open-air cinema♦ de cine loc adjFam [muy bueno]se ha comprado una casa de cine he's bought an amazing house♦ de cine loc advFam [muy bien]cocina de cine he's a fantastic o brilliant cook;el equipo jugó de cine the team played brilliantly* * *m1 movies pl, cinema;llevar al cine make into a movie;2 edificio movie theater, Brcinema* * *cine nm1) : cinema, movies pl2) : movie theater* * *cine n1. (lugar) cinema2. (arte) film / cinema¿te gusta el cine? do you like films? -
11 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC -
12 Lauste, Eugène Augustin
[br]b. 1857 Montmartre, France d. 1935[br]French inventor who devised the first practicable sound-on-film system.[br]Lauste was a prolific inventor who as a 22-year-old had more than fifty patents to his name. He joined Edison's West Orange Laboratory as Assistant to W.K.L. Dickson in 1887; he was soon involved in the development of early motion pictures, beginning an association with the cinema that was to dominate the rest of his working life. He left Edison in 1892 to pursue an interest in petrol engines, but within two years he returned to cinematography, where, in association with Major Woodville Latham, he introduced small but significant improvements to film-projection systems. In 1900 an interest in sound recording, dating back to his early days with Edison, led Lauste to begin exploring the possibility of recording sound photographically on film alongside the picture. In 1904 he moved to England, where he continued his experiments, and by 1907 he had succeeded in photographing a sound trace and picture simultaneously, each image occupying half the width of the film.Despite successful demonstrations of Lauste's system on both sides of the Atlantic, he enjoyed no commercial success. Handicapped by lack of capital, his efforts were finally brought to an end by the First World War. In 1906 Lauste had filed a patent for his sound-on-film system, which has been described by some authorities as the master patent for talking pictures. Although this claim is questionable, he was the first to produce a practicable scund-on-film system and establish the basic principles that were universally followed until the introduction of magnetic sound.[br]Bibliography11 August 1906, with Robert R.Haines and John S.Pletts, British Patent no. 18,057 (sound-on-film system).Further ReadingThe most complete accounts of Lauste's work and the history of sound films can be found in the Journal of the Society of Motion Picture (and Television) Engineers.For an excellent account of Lauste's work, see the Report of the Historical Committee, 1931, Journal of the Society of Motion Picture Engin eers 16 (January):105–9; and Merritt Crawford, 1941, Journal of the Society of Motion Picture Engineers, 17 (October) 632–44.For good general accounts of the evolution of sound in the cinema, see: E.I.Sponable, 1947, Journal of the Society of Motion Picture Engineers 48:275–303 and 407–22; E.W.Kellog, 1955, Journal of the Society of Motion Picture Engineers 64:291–302 and 356–74.JWBiographical history of technology > Lauste, Eugène Augustin
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13 De Forest, Lee
SUBJECT AREA: Broadcasting, Electronics and information technology, Photography, film and optics, Recording, Telecommunications[br]b. 26 August 1873 Council Bluffs, Iowa, USAd. 30 June 1961 Hollywood, California, USA[br]American electrical engineer and inventor principally known for his invention of the Audion, or triode, vacuum tube; also a pioneer of sound in the cinema.[br]De Forest was born into the family of a Congregational minister that moved to Alabama in 1879 when the father became President of a college for African-Americans; this was a position that led to the family's social ostracism by the white community. By the time he was 13 years old, De Forest was already a keen mechanical inventor, and in 1893, rejecting his father's plan for him to become a clergyman, he entered the Sheffield Scientific School of Yale University. Following his first degree, he went on to study the propagation of electromagnetic waves, gaining a PhD in physics in 1899 for his thesis on the "Reflection of Hertzian Waves from the Ends of Parallel Wires", probably the first US thesis in the field of radio.He then joined the Western Electric Company in Chicago where he helped develop the infant technology of wireless, working his way up from a modest post in the production area to a position in the experimental laboratory. There, working alone after normal working hours, he developed a detector of electromagnetic waves based on an electrolytic device similar to that already invented by Fleming in England. Recognizing his talents, a number of financial backers enabled him to set up his own business in 1902 under the name of De Forest Wireless Telegraphy Company; he was soon demonstrating wireless telegraphy to interested parties and entering into competition with the American Marconi Company.Despite the failure of this company because of fraud by his partners, he continued his experiments; in 1907, by adding a third electrode, a wire mesh, between the anode and cathode of the thermionic diode invented by Fleming in 1904, he was able to produce the amplifying device now known as the triode valve and achieve a sensitivity of radio-signal reception much greater than possible with the passive carborundum and electrolytic detectors hitherto available. Patented under the name Audion, this new vacuum device was soon successfully used for experimental broadcasts of music and speech in New York and Paris. The invention of the Audion has been described as the beginning of the electronic era. Although much development work was required before its full potential was realized, the Audion opened the way to progress in all areas of sound transmission, recording and reproduction. The patent was challenged by Fleming and it was not until 1943 that De Forest's claim was finally recognized.Overcoming the near failure of his new company, the De Forest Radio Telephone Company, as well as unsuccessful charges of fraudulent promotion of the Audion, he continued to exploit the potential of his invention. By 1912 he had used transformer-coupling of several Audion stages to achieve high gain at radio frequencies, making long-distance communication a practical proposition, and had applied positive feedback from the Audion output anode to its input grid to realize a stable transmitter oscillator and modulator. These successes led to prolonged patent litigation with Edwin Armstrong and others, and he eventually sold the manufacturing rights, in retrospect often for a pittance.During the early 1920s De Forest began a fruitful association with T.W.Case, who for around ten years had been working to perfect a moving-picture sound system. De Forest claimed to have had an interest in sound films as early as 1900, and Case now began to supply him with photoelectric cells and primitive sound cameras. He eventually devised a variable-density sound-on-film system utilizing a glow-discharge modulator, the Photion. By 1926 De Forest's Phonofilm had been successfully demonstrated in over fifty theatres and this system became the basis of Movietone. Though his ideas were on the right lines, the technology was insufficiently developed and it was left to others to produce a system acceptable to the film industry. However, De Forest had played a key role in transforming the nature of the film industry; within a space of five years the production of silent films had all but ceased.In the following decade De Forest applied the Audion to the development of medical diathermy. Finally, after spending most of his working life as an independent inventor and entrepreneur, he worked for a time during the Second World War at the Bell Telephone Laboratories on military applications of electronics.[br]Principal Honours and DistinctionsInstitute of Electronic and Radio Engineers Medal of Honour 1922. President, Institute of Electronic and Radio Engineers 1930. Institute of Electrical and Electronics Engineers Edison Medal 1946.Bibliography1904, "Electrolytic detectors", Electrician 54:94 (describes the electrolytic detector). 1907, US patent no. 841,387 (the Audion).1950, Father of Radio, Chicago: WIlcox \& Follett (autobiography).De Forest gave his own account of the development of his sound-on-film system in a series of articles: 1923. "The Phonofilm", Transactions of the Society of Motion Picture Engineers 16 (May): 61–75; 1924. "Phonofilm progress", Transactions of the Society of Motion Picture Engineers 20:17–19; 1927, "Recent developments in the Phonofilm", Transactions of the Society of Motion Picture Engineers 27:64–76; 1941, "Pioneering in talking pictures", Journal of the Society of Motion Picture Engineers 36 (January): 41–9.Further ReadingG.Carneal, 1930, A Conqueror of Space (biography).I.Levine, 1964, Electronics Pioneer, Lee De Forest (biography).E.I.Sponable, 1947, "Historical development of sound films", Journal of the Society of Motion Picture Engineers 48 (April): 275–303 (an authoritative account of De Forest's sound-film work, by Case's assistant).W.R.McLaurin, 1949, Invention and Innovation in the Radio Industry.C.F.Booth, 1955, "Fleming and De Forest. An appreciation", in Thermionic Valves 1904– 1954, IEE.V.J.Phillips, 1980, Early Radio Detectors, London: Peter Peregrinus.KF / JW -
14 Chrétien, Henri Jacques
SUBJECT AREA: Photography, film and optics[br]b. 1879 Paris, Franced. 7 February 1956 Washington, USA[br]French astrophysicist, inventor of the anamorphoser, which became the basis of the Cinemascope motion picture system.[br]Chrétien studied science, and after obtaining his bachelors degree he started his working life at Meudon Observatory. He married in 1910, the same year as he was appointed Head of Astrophysics at Nice. In 1917 he helped to found the Institut d'Optique in Paris. Chrétien became Professor of astrophysics at the Sorbonne and in 1927, as part of his work on optical systems, demonstrated the use of an anamorphic lens for wide-screen motion pictures. Although the system was demonstrated in Washington as early as 1928 and again at the Paris International Exposition of 1937, it was not until 1952 that Twentieth-Century Fox were able to complete purchase of the patents which became the basis of their Cinemascope system. Cinemascope was one of the most successful technical innovations introduced by film studios in the early 1950s as part of their attempts to combat competition from television. The first Cinemascope epic, The Robe, shown in 1953, was an outstanding commercial success, and a series of similarly spectacular productions followed.[br]Further ReadingObituary, 1956, Journal of the Society of Motion Picture and Television Engineers 65:110.R.Kingslake, 1989, A History of the Photographic Lens, Boston (biographical information and technical details of the anamorphic lens).JWBiographical history of technology > Chrétien, Henri Jacques
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15 аппаратура
apparatus, gear, installation, outfit, technology* * *аппарату́ра ж.дораба́тывать аппарату́ру — update equipment or a systemобеспе́чивается по́лное резерви́рование аппарату́ры — there is full redundancy of all equipmentоснаща́ть аппарату́рой (для …) — equip (for …)аппарату́ра по́лностью резерви́рована — there is full redundancy of all equipmentрезерви́ровать аппарату́ру1. ( обеспечивать резервирование) provide redundancy in the equipment, use duplicate items of equipment2. ( переходить на резерв) change over to a stand-by equipmentсопряга́ть аппарату́ру — gang up one type of equipment with another, provide interfacing between, e. g., equipment A and equipment B2. ( в отличие от математического обеспечения) вчт. hardware (contrasted with software)абоне́нтская аппарату́ра тлф. — брит. subscriber's apparatus; амер. (telephone) station apparatus, telephone station (apparatus)авари́йно-спаса́тельная аппарату́ра — ( используемая экипажем или пассажирами) survival equipment; ( используемая спасателями) (search-and-)rescue equipmentаэрофотосъё́мочная аппарату́ра — aerial photography [aerial surveying] equipmentаппарату́ра бди́тельности ( в поездной авторегулировке) — acknowledgerбортова́я аппарату́ра — ( для самолёта) airborne equipment; ( для корабля) ship-borne equipment; ( для любого средства передвижения) vehicle-borne equipmentгидроакусти́ческая аппарату́ра — брит. asdic equipment; амер. sonar equipmentголографи́ческая аппарату́ра — holographic equipmentгорноспаса́тельная аппарату́ра — mine rescue apparatusаппарату́ра громкоговоря́щей свя́зи — public-address equipmentдальноме́рная аппарату́ра — range instrumentation, range-finding equipmentдвухчасто́тная аппарату́ра тлф. — dual-frequency [two-frequency] equipmentаппарату́ра диспе́тчерского управле́ния — supervisory control apparatusаппарату́ра для вычисле́ний с удво́енной то́чностью — double-precision hardwareдыха́тельная аппарату́ра ( горноспасательная) — breathing apparatusзапасна́я аппарату́ра — reserve [stand-by] equipment (не путать с аппарату́рой резерви́рования)аппарату́ра за́писи на магни́тную ле́нту — magnetic-type recording equipmentаппарату́ра звуковоспроизведе́ния — sound-reproducing equipmentзвукозапи́сывающая аппарату́ра — sound-recording equipmentзвукоприё́мная аппарату́ра тлв. — sound-pick-up equipmentаппарату́ра индивидуа́льного преобразова́ния (для в. ч. телефонии) — channel equipment (for carrier telephony)индика́торная аппарату́ра рлк. — display [presentation] equipmentиспыта́тельная аппарату́ра — test equipment, test gearаппарату́ра иссле́дования ве́рхних слоё́в атмосфе́ры — upper atmosphere instrumentationкинокопирова́льная аппарату́ра — motion-picture printing equipmentкиноосвети́тельная аппарату́ра — set lighting equipmentкинопроекцио́нная аппарату́ра — motion-picture projection equipmentкиносъё́мочная аппарату́ра — filming equipmentкислоро́дная аппарату́ра — oxygen equipmentкоммутацио́нная аппарату́ра тлф. — switching equipmentкоммутацио́нная аппарату́ра ша́говой систе́мы тлф. — step-by-step switching equipmentконтро́льно-измери́тельная аппарату́ра — instrumentation; ( для проверок и испытаний) test equipment, test gearоснаща́ть контро́льно-измери́тельной аппарату́рой — instrumentконтро́льно-измери́тельная аппарату́ра для биологи́ческих иссле́дований — bioinstrumentationконтро́льно-измери́тельная, технологи́ческая аппарату́ра — process instrumentationконтро́льно-измери́тельная, электро́нная аппарату́ра — electronic instrumentationаппарату́ра контро́ля — monitoring equipmentла́зерная аппарату́ра — laser equipmentлине́йная аппарату́ра тлф. — line equipmentмикроголографи́ческая аппарату́ра — holomicrographic equipmentмикрофотографи́ческая аппарату́ра — photomicrographic equipmentаппарату́ра набо́ра но́мера тлф. — dialling equipmentназе́мная аппарату́ра — ground(-based) equipmentаппарату́ра на транзи́сторах — transistorized equipmentнау́чная аппарату́ра — experimental gearнеспаса́емая аппарату́ра — non-recoverable [non-retrievable] equipmentаппарату́ра обрабо́тки да́нных — data-processing equipmentоконе́чная аппарату́ра — terminal (equipment)опознава́тельная аппарату́ра ав., косм. — identification equipmentопро́сная аппарату́ра тлф. — answering equipmentаппарату́ра опти́ческой звукоза́писи — optical [photographic] sound-on-film recording apparatus, optical [photographic] sound-on-film recording equipmentаппарату́ра ориента́ции косм. — attitude-control equipmentаппарату́ра переда́чи да́нных — data transmission equipmentаппарату́ра переда́чи соедине́ния тлф. — transfer equipmentаппарату́ра предупреди́тельной сигнализа́ции — warning apparatusаппарату́ра предупрежде́ния столкнове́ния ( в воздухе или на море) — anti-collision [collision-warning] equipmentприводна́я аппарату́ра навиг. — homing facilitiesприё́мная аппарату́ра — receiving equipmentпрове́рочная аппарату́ра — test equipment, test gearаппарату́ра радиопротиводе́йствия — electronic countermeasures [ECM] equipmentрадиореле́йная аппарату́ра — microwave-link [radio-relay] equipmentрадиотелеметри́ческая аппарату́ра — telemetry [telemetering] equipmentаппарату́ра разделе́ния кана́лов — demultiplexerаппарату́ра распредели́тельных устро́йств — switchgear components, switchgear devicesаппарату́ра регули́рования — control equipmentаппарату́ра резерви́рования1. ( избыточная аппаратура для повышения надёжности системы) redundant equipment; ( дублирующая аппаратура) duplicate equipment2. ( для осуществления перехода на резерв) change-over [throw-over] control (facility)резе́рвная аппарату́ра — reserve [stand-by] equipment (не путать с аппарату́рой резерви́рования)самолё́тная аппарату́ра — airborne equipmentсветосигна́льная аппарату́ра — light signalling equipmentаппарату́ра свя́зи — communication(s) equipmentаппарату́ра свя́зи двукра́тного уплотне́ния — double-multiplex equipmentсери́йно выпуска́емая аппарату́ра — production-run [stock-produced] equipmentсигнализацио́нная аппарату́ра — signalling apparatusаппарату́ра систе́мы обнаруже́ния ав., косм. — detection equipmentаппарату́ра сопряже́ния1. ( для обеспечения сопряжения) interface (facility)2. ( сопряжённая) associated equipment; dependent equipmentаппарату́ра спу́тниковой свя́зи — satellite-communication equipmentстереофони́ческая аппарату́ра — stereo sound equipmentаппарату́ра счи́тывания и за́писи — read-write equipmentтариро́вочная аппарату́ра — calibration equipmentаппарату́ра телегра́фной свя́зи — telegraph equipmentаппарату́ра телеизмере́ния — remote measuring [remote metering, telemetry] equipmentаппарату́ра телеконтро́ля — telemetry and supervisory indication equipmentтелеметри́ческая аппарату́ра — remote measuring [remote metering, telemetry] equipmentаппарату́ра телесигнализа́ции — supervisory [remote] indication equipmentаппарату́ра телеуправле́ния — telecontrol equipmentаппарату́ра телефо́нной свя́зи — telephone equipmentаппарату́ра уплотне́ния — multiplexing equipmentаппарату́ра управле́ния — control equipmentаппарату́ра управле́ния, электро́нная — control electronicsаппарату́ра фотографи́ческой звукоза́писи см. аппаратура оптической звукозаписифототелегра́фная аппарату́ра — facsimile equipmentцифрова́я аппарату́ра — digital equipmentэлектро́нная аппарату́ра — electronic equipment -
16 резервировать аппаратуру
1. provide redundancy in the equipment, use duplicate items of equipment2. change over to a stand-by equipmentналадка аппаратуры; отладка аппаратуры — equipment check-out
3. вчт. hardwareаварийно-спасательная аппаратура — survival equipment; rescue equipment
бортовая аппаратура — airborne equipment; ship-borne equipment; vehicle-borne equipment
гидроакустическая аппаратура — asdic equipment; sonar equipment
контрольно-измерительная аппаратура — instrumentation; test equipment
эмулятор аппаратуры; аппаратный эмулятор — hardware emulator
"голое" оборудование; "голая" аппаратура — bare hardware
Русско-английский большой базовый словарь > резервировать аппаратуру
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17 Carbutt, John
SUBJECT AREA: Photography, film and optics[br]b. 1832 Sheffield, Englandd. 1905 Philadelphia, Pennsylvania, USA[br]Anglo-American photographer and photographic manufacturer.[br]Carbutt emigrated in 1853 from England to the United States, where he remained for the rest of his life. He began working as a photographer in Chicago, where he soon earned a considerable reputation and became the official photographer for the Canadian Pacific Railway. In 1870 he purchased the American rights of Woodbury's photomechanical printing process and established a business to produce Woodburytypes in Philadelphia. In 1879 Carbutt set up the first successful gelatine halide dry-plate factory in America. A year later he was elected first President of the Photographers' Association of America. He began experimenting with flexible film supports in 1884 and was the first to produce satisfactory flat films on celluloid commercially. The first kinetoscope film strips used by Thomas Edison were supplied by Carbutt. Carbutt's celluloid films were exported to Europe, where nothing comparable was available at the time. He was also a pioneer manufacturer of orthochromatic plates, X-ray plates and photographic colour filters.[br]Further ReadingObituary, 1905, Journal of the Franklin Institute: 461–3. L.W.Shipley, 1965, Photography's Great Inventors, Philadelphia.G.Hendricks, 1961, The Edison Motion Picture Myth (makes reference to aspects of Carbutt's work on celluloid).JW -
18 Ives, Herbert Eugene
[br]b. 1882 USAd. 1953[br]American physicist find television pioneer.[br]Ives gained his PhD in physics from Johns Hopkins University, Baltimore, Maryland, and subsequently served in the US Signal Corps, eventually gaining experience in aerial photography. He then joined the Western Electric Engineering Department (later Bell Telephone Laboratories), c.1920 becoming leader of a group concerned with television-image transmission over telephone lines. In 1927, using a Nipkow disc, he demonstrated 50-line, 18 frames/sec pictures that could be displayed as either 2 in.×2 1/2 in. (5.1 cm×6.4 cm) images suitable for a "wirephone", or 2 ft ×2 1/2 ft (61 cm×76 cm) images for television viewing. Two years later, using a single-spiral disc and three separately modulated light sources, he was able to produce full-colour images.[br]Bibliography1915, "The transformation of colour mixture equations", Journal of the Franklin Institute 180:673.1923, "do—Pt II", Journal of the Franklin Institute 195–23.1925, "Telephone picture transmission", Transactions of the Society of Motion Picture and Television Engineers 23:82.1929, "Television in colour", Bell Laboratories Record 7:439.1930, with A.L.Johnsrul, "Television in colour by a beam-scanning method", Journal of the Optical Society of America 20:11.Further ReadingJ.H.Udelson, 1982, The Great Television Race: History of the Television Industry 1925– 41: University of Alabama Press.KF -
19 Zeitraffer
m2. Kamera: time-lapse camera* * *Zeit|raf|fer [-rafɐ]m -s, no pltime-lapse photographyeinen Film im Zéítraffer zeigen — to show a time-lapse film
* * *Zeit·raf·fer<-s>m kein pl time-lapse photographyetw im \Zeitraffer filmen to film sth using time-lapse photography* * ** * *im Zeitraffer speeded up2. Kamera: time-lapse camera* * ** * *m.fast motion n.quick motion n.quick-motion apparatus n.time lapse n.time lapse camera n. -
20 imagen fija
(n.) = still, still image, still-picture, film still, movie stillEx. This speed is necessary in television, for motion pictures rather than stills as the object.Ex. The advantages of videodisc for storing still images as compared to microforms and optical discs are evident.Ex. Consequently, a freeze-frame or still-picture effect can be achieved by simply halting the movement of the head across the disc.Ex. The author traces the history behind cinematic photography and film stills.Ex. The images discussed are mostly photographs and movie stills.* * *(n.) = still, still image, still-picture, film still, movie stillEx: This speed is necessary in television, for motion pictures rather than stills as the object.
Ex: The advantages of videodisc for storing still images as compared to microforms and optical discs are evident.Ex: Consequently, a freeze-frame or still-picture effect can be achieved by simply halting the movement of the head across the disc.Ex: The author traces the history behind cinematic photography and film stills.Ex: The images discussed are mostly photographs and movie stills.
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